“Street Portraits” Gallery, Page 1

Page 1 | Page 2 | Page 3

Click on thumbnail below to view self-paced lightbox show.
Click on edge of images to navigate.



   Inspired in part by the on-the-road portrature of Robert Franks in his 1950s photographic essay, The Americans, these “Street Portraits” were made mostly at public events or other public places.
   In honor of Franks’ contribution, I am presenting these photographs in Black and White. At the core of this collection are performers and spectators in street parades or other festivities. In an effort to capture images of everyday people doing everyday things, a few are candid shots of complete stangers without their permission. Among these some were “shot from the hip.” Several are of family members in unguarded moments.
   These are street portraits in another very important sense. Unlike studio portraiture, which is made using special lighting and image-enhancing techniques, these portraits were made using ambient light depict individuals as they appeared at a given moment in time — warts and all.
   I view this collection as a work-in-progress that over time will hopefully change and grow.

Featured Image

Bystander Veil Dancer Dancer Art All Night Dancer Art All Night Art Harvest Art All Night
Celtic Dancer, Takoma Park, MD Bodiography Bach, Beethoven and Brunch Three Rivers Art Festival Accordian Player, Takoma Park, MD Bach, Beethoven and Brunch
Erin Glass Blower Harpers Ferry French Lace Maker Doo Dah Days Doo Dah Days
Doo Dah Days Pittsburgh 250 Pittsburgh 250 Pittsburgh 250 Waiting for the Bus Waiting on Tables, The Pickle Barrel
Just Waiting East Carson Street Richard Faces at a Parade, No. 1 Faces at a Parade, No 2 Faces at a Parade, No. 3
Faces at a Parade, No. 4 Loud Noises Damage Young Ears Faces at a Parade, No. 5 Billy Bob the Clown The Card Shark Fiddling in the Street
Caribbean Drummer Tropical Fruit Jamaica joy in Purple Equestrienne Majorette Boy Sliding Downhill on a Bicycle
1 | 2 | 3
My Galleries | Orders | Home | About | Contact Me
Copyright © 2010, Jay Ressler